Blog Art Spy

• by Rodolfo Andaur

The basis of Benjamín Ossa’s research, the work he carried out as a visual artist in different parts of the Atacama Desert, goes beyond an artist’s usual sceptical wanderings.

• by Renan Laru-an

Footnotes are activities designed as annotations to the development of artistic contributions to Lightning Studies: CTCCCs.

• by Rodolfo Andaur

Over the years, northern Chile has lived through the consequences of the boom and bust in nitrate mining. Therefore, unsurprisingly, this mineral takes on various different forms in the people’s collective memory.

• by Renan Laru-an

Footnotes are activities designed as annotations to the development of artistic contributions to Lightning Studies: CTCCCs.

• by Carolina Olmedo Carrasco

To speak about the Atacama Desert and produce contemporary art there means giving oneself up to its jagged, dry surfaces, beginning a process for physical dispossession of the self in order to open a path which makes it possible to experience this land and all of its amazing features.

• by Renan Laru-an

Footnotes are activities designed as annotations to the development of artistic contributions to Lightning Studies: CTCCCs.

• by Hablar en Arte

At Curators’ Network we have been working on Art Spy blog for a while now. It is a tool we believe will be useful and necessary in promoting and improving the visibility of artistic creativity and its diversity of forms in different contexts.

• by Renan Laru-an

Footnotes are activities designed as annotations to the development of artistic contributions to Lightning Studies: CTCCCs.

• by Renan Laru-an

Third part of a working proposal for Lightning Studies. This series of dispatches registers the timeline of the proposal and how it evolves as artists and other agents join CTCCCs.

• by Renan Laru-an

Second part of a working proposal for Lightning Studies. This series of dispatches registers the timeline of the proposal and how it evolves as artists and other agents join CTCCCs.