They might be wolves eating M&M´s
by Fermín Jiménez Landa
In Minus times minus is more a Medium who works with automatic writing is invited to converse with the spirit of the nature documentary producer Félix Rodriguez de la Fuente, deceased in 1980, about the tricks of his films. From the incredulity of the afterlife matters, the artist creates as in the mathematic formula that provides its title, a situation of double fiction to generate a truth.
Untitled, ( personal belongings) are edible sculptures that include almost imperceptible personal belongings. There is a dialogue of different ways of understanding what is personal. The bodily and the edible through the objects that we have in our pockets.
Vaho, is an apparently ordinary car. The perception of the steam on the windows makes us have a feeling that a human body is inside the machine. It may remind us to furtive sex scenes, in a cold and distant way, presented with the minimum narrative means and at the same time with an excessive production.
Two newspapers of 2003 compose Without title (Scrabble word finder) whose headlines are cut out and reorganised, to make the sentence, Shake out the crumbs from the tablecloth, love.
Untitled, ( personal belongings) are edible sculptures that include almost imperceptible personal belongings. There is a dialogue of different ways of understanding what is personal. The bodily and the edible through the objects that we have in our pockets.
Vaho, is an apparently ordinary car. The perception of the steam on the windows makes us have a feeling that a human body is inside the machine. It may remind us to furtive sex scenes, in a cold and distant way, presented with the minimum narrative means and at the same time with an excessive production.
Two newspapers of 2003 compose Without title (Scrabble word finder) whose headlines are cut out and reorganised, to make the sentence, Shake out the crumbs from the tablecloth, love.
| Tags | agitprop, conceptual, found object |
| Technique | Installation |
